IIgs Music CD - Music, Computers and Me By Mathieu Chenard (c) 1997 Email: schema@car.qc.ca I released a home-produced music compact disc in June. It's my first disc and I wanted to do it myself... I'm a canadian (Rimouski, Quebec) dental student graduating in some months, but I play the guitar, harmonica, keyboard and some others instruments, including my voice! I purchased my IIgs some years ago because I was impressed by his audio features. I add a Sequential Systems 4 Mo RAM GS board, an Apple SCSI card rev C, some hard drives and a floptical drive in the last years. So I got on my IIgs some months ago to put down synth tracks of the orchestration: drums, percussions, bass, strings, keyboards, flutes, etc. I used mainly Olivier Goguel's NoiseTracker 1.0 with AE AudioAnimator for playing sampled sounds plus stereo-ready accompaniement tracks and System 6's synthLab with Opcode Studio+2 MIDI interface for controlling my entry-level Kaway MS710 keyboard-sound module (with the help of my Newton MessagePad 2000 using MIDI-X for a track modified at last time.) These stereo-ready tracks were then put on a digital audio tape. I then add accoustic instruments (Citation accoustic guitar, Cort Effector electric guitar with DOD FX53 effect pedal, Tower Harmonica, Casio DG-10 digital guitar) and voice tracks (dubbed for chorus or using Digitech Vocalist for harmony) within 3 evenings in a traditionnal recording studio located in Universite Laval, Quebec, with the help of a sound technician. We did the final mix on the third evening from the 8-tracks ADAT to the final master dat (according to notes taken on MessagePad and then used to print the time log on paper for the press plant.) The lyrics were captured and formatted using the Newton MessagePad, Teach, Hermes and AppleWorks GS, but the final full-color page layout was made by my brother on a Mac Performa 5200 with ClarisWorks (the photographs were scanned on a Mac 7200 and Agfa Arcus II flatbed scanner using Photoshop, the only expensive products borrowed for this project!!!) 1000 discs were then pressed by Disque Americ with booklets printed by Graphiscan Quebec. This was really an exciting project for me and I found it so cool that I'm planning another recording in the next months! It also the proof that it's possible to do interesting things with Apple II and others Apple products, and with a really small budget... Here is a brief summary of my computers and music experience. If you have any questions, don't hesitate to e-mail me at: schema@car.qc.ca Mathieu Chenard --------------- Born in 1975, I got on the computer wave in 1983 with the school's Commodore 64 and my family' TRS MC-1O: a-do-BASIC-or-die machine. Then my father brought an Apple //c home just after christmas time of 1986 . What a machine! My computer passion was launched, but my guitar formation was not influenced. I received a small Casio SK-5 programmable music keyboard / "sampler" as a gift some years after and play with music composition and orchestration in my free time. I began my sound experience on the llgs with Music Studio on my uncle's llgs. He lent us this computer when our //c died... In the mean time, a Macintosh Plus found a place in our home. Soon after this I got my own llgs (my family and I now have the only 2 llgs used in the east of Quebec!) A small Kawai MS 710 MIDI keyboard replaced my Casio. Then came the GS System 6.0 and ROM - my upgrade to ROM 01 : my Music Studio 1.0 didn't work anymore and the synthLAB software that came with GS/OS 6.0 blew it out. Someone gave me a copy 0f Music studio 2.0 sometime after, but it was too late! I bought some basic Macintosh MIDI software as Passport Trax and the great Dynaware Ballade. In the last years I added a RAM GS 4 MB board, an Opcode Studio+2 MIDI interface, an Apple SCSI card rev. C, a PLI floptical drive, an Applied Engineering Audio Animator, etc. I don't have many music devices. Some guitars (Citation classical, Cort Effector electric, Casio DG10 digital) and accoustic instruments (harmonica, flutes, etc.) but not really high quality audio equipment. My small Radio Shack audio mixer is mainly used in my rare live performances to send a mixed llgs/MIDI keyboard sound signal. I'm planning to get a Macintosh with digital audio I/O so I can do all studio work at home. I want to do it with less equipment as possible, as the ol' bluesmen did it. I bought a used Macintosh Color Classic last week and I'm very proud of it: he is really more powerful than the llgs, but don't ask him to do stereo music as the llgs can do! The disc used a mix of many softwares. Some songs accompaniements were done on Noisetracker 1.0 using sampled sounds; others on synthLAB using software sounds and/or MIDI keyboard sounds. The synthLAB tracks were designed by live MIDI recording on keyboard or guitar (using my note by note Roland CP4O pitch to MIDI converter) or by editing them on Macintosh MIDI softwares and transferring them to synthLAB. The two llgs softwares were really useful by allowing me to mix instruments in stereo before going to the studio. In the future I would like to see a product that combines; ¥ the ease of use / fast delivery of the NoiseTracker 1.0 song editor, and maybe like Music Studio so I would be able to avoid the Macintosh for sequencing ¥ the song file capabilities of NoiseTracker GS v2.0 - so I can use and export to universal formats; ¥ the fast real-time MIDI response of synthLAB to let me still use the llgs as sound module and sampler; ¥ and fine sound tuning of synthLAB to avoid adjusting the accoustic instruments and vocals to the untuned synth sounds! I'm planning some others discs in the future. I'm doing mainly rock music in French, English and Abnaki. For now, I'm also working (when I can find free time in my dental studies schedule) on an instrumental/new-age/symphonic disc completely produced using llgs sounds! Check for some advertising on comp.sys.apple2 in the coming months!!! apple II forever! kway! /V|athieu --schema@car.qc.ca ---aac794@agora.ulaval.ca ----olalema! apple II infinitum!!! -----rŽalisŽ ˆ l'aide d'un Newton MP2000